From the publisher:
“Early in 1977, thousands of artists, writers, musicians, activists and scholars from Africa and the black diaspora assembled in Lagos for FESTAC ’77, the 2nd World Black and African Festival of Arts and Culture. With a radically ambitious agenda underwritten by Nigeria’s newfound oil wealth, FESTAC ’77 would unfold as a complex, glorious and excessive culmination of a half-century of transatlantic and pan-Africanist cultural-political gatherings.
"Devised by Chimurenga and edited by Ntone Edjabe, this is the first publication to consider FESTAC in all its cultural-historic complexity, addressing the planetary scale of the event alongside the personal and artistic encounters it made possible.
"As the tenth title in Afterall’s Exhibition Histories series and the third in Chimurenga’s Chimurenga Library series, the book features a bespoke expanded format and design scheme, and gathers extensive unseen photographic and archival materials, interviews and new commissions by Akin Adesokan, Ugochukwu-Smooth Nzewi, Dominique Malaquais and Elvira Dyangani Ose, among others, and archival texts, materials, images and photographs by Wole Soyinka, Audre Lorde, Allioune Diop, Marilyn Nance, Barkley Hendricks, J.D. Okhai Ojeikere, Betye Saar, Sun Ra and many more.”
height 31.4 cm | width 24 cm | 448 pages | softcover
Chimurenga is a Cape Town-based publication of arts, culture and politics from and about Africa and its diasporas. It was founded in 2002 by Cameroonian writer and editor Ntone Edjabe.