From the publisher:
“In this ground-breaking collection of critical essays, 15 writers explore the experimental, interdisciplinary, and radically transgressive field of contemporary live art in South Africa.
Set against a contemporary South African society that is chronologically ‘post’ apartheid, but one that continues to grapple with material redress, land redistribution, and systemic racism, finds a representation of the complexity of this moment within the rich potential of a performative art form that transcends disciplinary boundaries and aesthetic conventions. The collection probes live art’s intersection with crisis and socio-political turbulence, shifting notions of identity and belonging, embodied trauma and loss, questions of archive, memory and the troubling of colonial systems of knowing, an interrogation of narratives of the past and visions for the future.
These diverse essays, analysing the work of more than 25 contemporary South African artists and accompanied by a striking visual record of more than 50 photographs, represent the first major critical study of contemporary live art in South Africa; a study that is as timeous as it is imperative.”
Edited by Jay Pather and Catherine Boulle, includes contributions from Alan Parker, Andrew Hennlich, Bettina Malcomess, Catherine Boulle, Gabrielle Goliath, Jay Pather, Katlego Disemelo, Khwezi Gule, Lieketso Dee Mohoto-Wa Thaluki, Massa Lemu, Mwenya B. Kabwe, Nomusa Makhubu, Nondumiso Msimanga, Same Mdluli, and Sarah Nuttall.
24.5 x 17cm | 376 pages | softcover
Jay Pather is a choreographer, curator, associate professor at the University of Cape Town, and director of the Institute for Creative Arts, UCT.
Catherine Boulle is a writer and researcher at the Institute for Creative Arts, where her work includes initiating new research on live art in South Africa.